Ute Aurand Movies

A cinematic interpretation of an ancient myth and the visual metaphor of the feminine sea.

Stories from the lesbian subculture in West Berlin, about being in love, clichés, desire, and conflict – "shot as a narrative, with real...

Flug durch die Nacht, shot during Ilona Baltrusch's studies at the Deutsche Film- und Fernsehakademie Berlin - DFFB, explores the relationship...

Four women film each other getting dressed in this four-part film. The motive for making the film was to work with a Bolex camera. A protected space...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.

Short film featuring images of flowers.

2 minute film about two Japanese ladies.

Scenes in the park of the Rietberg Museum in Zurich with its collection of Asian, African and Indian art.

The film follows the construction of the new expansion of Zurich's Museum Rietberg, from the groundbreaking in May 2004 through to the opening in...

One day in Neubrandenburg, filmed in a small city 130km north of Berlin in September 1995.

Four seasons in four major European cities form a four-part film cycle. This is the third part about autumn in London.

"Here it is very nice at the Moment" is a triptych. In the first part, "Maria und die Welt", Ute Aurand films Maria Lang in 1995, who moves to the...

Aurand and Pfeiffer filmed each other at four famous sites in Europe: walking in a summer dress through the snow in front of the Reichstag in Berlin,...

The portraits allow the filmmaker to emphasize gestures and private moments beyond narration and documentation. In his work system, he collects...

For a year at monthly intervals, Ute Aurand and Bärbel Freund filmed In the Garden, a lovely portrait of a Potsdam-Bornim garden designed in...

A short portrait of the filmmaker Renate Sami.

“In the day after seeing Terzen, there was a surprising sense of the film that developed for me. The rhythms were still present and helped to...

A filmic encounter with Brazil, which Aurand visited for the first time in September 2022 for screenings of her films and Margaret Tait’s in...